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Opera

Making Europe Audible

The Cockpit Theatre, NW8 8EH , [Venue Details]

Making Europe Audible is a concert that the Eunoia Trio created in collaboration with composers Catherine Kontz (LUX) and Henri Växby (FIN/SWE). The performances centre on interviews with extraordinary figures from contemporary history.

Sunday,
13 Sep 2026
@7.00pm

“Dropping Bombs Stole My Memories” questions of identity and memory by combining recorded interview material and reverse speech techniques with vocals, piano, and percussion, thereby creating a Lynchian distortion of linguistic patterns and individual as well as collective memories. In keeping with Växby’s other works, these simple process pieces oscillate between partially improvised and fully composed elements, creating a whole that combines stark dissonances with gently hypnotic soundscapes and drones.

Meng Sprooch, Deng Sprooch, Seng Sprooch (“my language, your language, his/her language”) by Catherine Kontz engages with the strong links between language and cultural belonging. Multilingualism is a natural condition in Luxembourg, helping to dissolve borders and lower barriers between cultures The rose signifies peace as a living, affirmative condition rather than the silence that follows conflict.

More Information

  • Admission

    Min: £7.50

    Max: £27.50

  • Special: Pay What You Can

  • Age restriction: All ages, but mostly adults

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Making Europe Audible

Sunday, 13 Sep 2026 @7.00pm

The Cockpit Theatre, NW8 8EH

More Information

Making Europe Audible is a concert that the Eunoia Trio created in collaboration with composers Catherine Kontz (LUX) and Henri Växby (FIN/SWE). The performances centre on interviews with extraordinary figures from contemporary history.

“Dropping Bombs Stole My Memories” questions of identity and memory by combining recorded interview material and reverse speech techniques with vocals, piano, and percussion, thereby creating a Lynchian distortion of linguistic patterns and individual as well as collective memories. In keeping with Växby’s other works, these simple process pieces oscillate between partially improvised and fully composed elements, creating a whole that combines stark dissonances with gently hypnotic soundscapes and drones.

Meng Sprooch, Deng Sprooch, Seng Sprooch (“my language, your language, his/her language”) by Catherine Kontz engages with the strong links between language and cultural belonging. Multilingualism is a natural condition in Luxembourg, helping to dissolve borders and lower barriers between cultures The rose signifies peace as a living, affirmative condition rather than the silence that follows conflict.

  • Admission

    Min: £7.50

    Max: £27.50

  • Special: Pay What You Can

  • Age restriction: All ages, but mostly adults

Halibuts is the only place to find ALL London's live music.

Free for all to use, we track ~1,000 London venues and list every type of live music.

To reach our home page, Click here

Or download the Halibuts APP:

apple-icon iOS
android ANDROID

Finally; if you like Halibuts, please help us by spreading the word !