London’s Ultimate Music Calendar

James Lisney’s …petits concerts take their title from the annual series of recitals given by Charles Alkan at the Erard Showroom in Paris during the 1870s.

James Lisney returns to the 1901 Arts Club with a garland of romantic piano music inspired by poetry, song, and the spirit of dance.

Franz Liszt considered his Bénédiction (the third piece of his 1853 piano cycle Harmonies poétiques et religieuses) one of his most significant works, often performing it for house guests. It is a profound meditation on the eponymous poem by Alphonse de Lamartine, interpreting French Romantic sentiments through the most sumptuous of piano writing.

Franz Schubert’s Drei Klavierstücke, written 1827/28, gained their Germanic title from Johannes Brahms who edited the pieces for their first publication in 1868. The first two pieces allude to his own lied and the opera Fierabras, and some commentators see a quote from Handel’s Messiah - a score that Schubert was studying in 1828. The outer sections of the final Allegro, however, are shot through with bohemian dance rhythms and virtuosic piano writing.